From Sierra Leone
Musician
In Brooklyn, United States
About The Narcotix
The Narcotix is a West African art-folk band based in Brooklyn, with feathers all over. 
 
Composers Esther Quansah (guitars, vocals) and Becky Foinchas (keys, vocals) met in an elementary school chorus class in the ghostly woodlands of Woodbridge, Virginia. The daughters of African immigrants (Quansah from Cote D’Ivoire and Foinchas from Cameroon), they soaked up influences as far-flung and varied as choral symphonies, African wedding music, and progressive math rock, distilling them through a unique lens. 
 
While attending the University of Virginia, Foinchas and Quansah met Sierra Leonean guitarist Adam Turay, showing him their compositions and bonding over a shared love of both avant-pop music like early Grizzly Bear and Stereolab and African music like the intricate soukous guitar rhythms of Koffi Olomide and the pulsing chimurenga of Thomas Mapfumo. 
Quansah, Foinchas and Turay relocated to Brooklyn in 2017, developing their West African-inspired psych-folk concept and playing at clubs and venues like Rockwood Music Hall, C’mon Everybody, Berlin and Mercury Lounge. 
The full ensemble came together after a few years in the city. The Narcotix met N.Y. native Jonathan Joseph in Bushwick’s thriving neo-soul scene, instantly drawn to his love of trap music, his appreciation for D.C.’s go-go music, and gospel chops honed by playing in his grandfather’s church every Sunday in Far Rockaway. New England Conservatory alum Jesse Heasly rounds out the rhythm section, his pocket bass playing and avant-garde sensibilities providing an ideal complement to the music.​
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About The Narcotix
The Narcotix is a West African art-folk band based in Brooklyn, with feathers all over. 
 
Composers Esther Quansah (guitars, vocals) and Becky Foinchas (keys, vocals) met in an elementary school chorus class in the ghostly woodlands of Woodbridge, Virginia. The daughters of African immigrants (Quansah from Cote D’Ivoire and Foinchas from Cameroon), they soaked up influences as far-flung and varied as choral symphonies, African wedding music, and progressive math rock, distilling them through a unique lens. 
 
While attending the University of Virginia, Foinchas and Quansah met Sierra Leonean guitarist Adam Turay, showing him their compositions and bonding over a shared love of both avant-pop music like early Grizzly Bear and Stereolab and African music like the intricate soukous guitar rhythms of Koffi Olomide and the pulsing chimurenga of Thomas Mapfumo. 
Quansah, Foinchas and Turay relocated to Brooklyn in 2017, developing their West African-inspired psych-folk concept and playing at clubs and venues like Rockwood Music Hall, C’mon Everybody, Berlin and Mercury Lounge. 
The full ensemble came together after a few years in the city. The Narcotix met N.Y. native Jonathan Joseph in Bushwick’s thriving neo-soul scene, instantly drawn to his love of trap music, his appreciation for D.C.’s go-go music, and gospel chops honed by playing in his grandfather’s church every Sunday in Far Rockaway. New England Conservatory alum Jesse Heasly rounds out the rhythm section, his pocket bass playing and avant-garde sensibilities providing an ideal complement to the music.​
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Recorded at GB's Juke Joint in Long Island City, NY on April 17, 2021. Credits: ~The Narcotix~ Adam Turay - Guitar Becky ...

Snippet of the single 'John/Joseph' on from the debut EP 'Mommy Issues' 'Mommy Issues' is out now and available on on all ...